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JAWOR

castle of Dukes of Świdnica and Jawor

BARANÓW SANDOMIERSKI

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CASTLE IN JAWOR, VIEW OF THE WEST WING


HISTORY


A

t the end of the 13th cen­tu­ry, Ja­wor be­came one of the new­ly cre­at­ed cen­ters of pow­er in the strong­ly par­celled Low­er Si­le­sia. In 1274 it was pro­moted the cap­i­tal of sep­a­rate prin­ci­pal­i­ty, which by de­ci­sion of Bo­le­sław Ro­gat­ka (d. 1278) was tak­en o­ver by his son Hen­ry V (d. 1296). In 1280 Bol­ko I (d. 1301) took o­ver the lega­cy of his broth­er. Re­searchers at­tribute to him the ef­fort of build­ing a new head­quar­ters, erect­ed on the site of a small res­i­den­tial tow­er built in the 20s of the 13th cen­tu­ry, per­haps found­ed by the Duke Hen­ryk Bro­da­ty (Hen­ry the Beard­ed) (d. 1238). The first castle, prob­a­bly still equipped with wood­en or wood­en-ground for­ti­fi­ca­tions, ini­tial­ly served as a castel­lany, which was men­tioned in 1224 (in­di­cating cer­tain Ra­do­sław of Bo­le­sła­wiec as a comes castel­lanus with its seat in Ja­wor). In the sec­ond half of the 14th cen­tu­ry, af­ter death of Bol­ko II (d. 1368), the duke's wid­ow Ag­nie­szka sat on the throne, and when she died in 1392, the vast Duchy of Świd­ni­ca and Ja­wor passed un­der the rule of King Wen­ces­las IV of Lux­em­bourg (d. 1419), and the town re­ceived the sta­tus of a roy­al cen­tre and cap­i­tal of the lo­cal province. From that time un­til 1742 Ja­wor was the seat of the roy­al gov­er­nors - chrono­log­i­cal­ly the first one to hold this of­fice was the Czech knight Be­nes of Hus­na (1392-1400).


THE OLDEST IMAGE OF THE CASTLE (ON THE LEFT), DATED 1532


Bolko I called Stern, was born be­tween 1252 and 1256 as the sec­ond old­est son of the Duke of Leg­ni­ca Bo­le­sław II (d. 1278) and Jad­wiga from An­halt (d. 1259). Af­ter his fa­ther's death, he re­ceived the Duchy of Ja­wor, which he ruled to­geth­er with his broth­er Ber­nard (d. 1286). One of the first tasks Bol­ko faced as a so­ve­reign was to pro­tect his mod­est her­itage from the grow­ing pow­er of Hen­ry IV (d. 1290), Duke of Wro­cław. To this end, he de­cid­ed to form an al­liance with the mar­graves of Bran­den­burg, a sealed mar­riage with the un­der­age daugh­ter of Ot­to V - Beat­rice.

In the 80s of the 13th cen­tu­ry the prince changed his po­lit­i­cal course to the Czech, ap­proach­ing the court of Wen­ces­las (d. 1305), the lat­er king of Pol­and, with whom, how­ev­er, a few years lat­er re­la­tions de­te­ri­o­rat­ed to such an ex­tent that Bol­ko be­gan an in­ten­sive for­ti­fi­ca­tion of the south­ern bor­der of his coun­try by build­ing or mod­ern­iz­ing cas­tles in Wleń, Świd­ni­ca and Strze­gom. In the mean­time, he tried to take con­trol of the Ny­sa Castel­lany, which be­longed to the Church, which brought a num­ber of un­pleas­ant con­se­quen­ces, among others a church curse and war with the Czechs. His po­lit­i­cal tal­ent and well-pre­pared strongholds, how­ev­er, al­lowed him to es­cape from these op­pres­sions with­out much loss, and the death of his broth­er Hen­ry in 1296 made Bol­ko I the most pow­er­ful Piast ruler in Si­le­sia af­ter the in­cor­po­ra­tion of Wro­cław and Leg­ni­ca.

Bolko I died sud­den­ly on No­vem­ber 9th, 1301, for rea­sons un­known to us. He was buried in the Cis­ter­cian abbey in Krze­szów. He left three sons: Ber­nard (świd­nic­ki), Hen­ry (ja­wor­ski), Bol­ko (the Lit­tle) and five daugh­ters. In the opin­ion of pos­ter­i­ty he was a very ac­tive and am­bi­tious ruler. Jan Dłu­gosz wrote about him: For many years he strict­ly and just­ly ruled two prin­ci­pal­i­ties, name­ly: Wro­cław and Świd­ni­ca.



CASTLE (NO. 4) ON THE COPPERPLATE OF KUHN FROM 1615

T

he tur­bu­lent pe­ri­od of hus­site wars in Low­er Sile­sia was very gra­cious for Ja­wor, be­cause both in 1427 and two years lat­er, the troops of Czech rebels op­er­at­ing in the area re­signed from the as­sault on the cas­tle and the town, which may tes­ti­fy to their great de­fen­sive val­ues and strong crew. The high de­fen­sive val­ue of the cas­tle was un­doubt­ed­ly in­flu­enced by its de­vel­op­ment in the first decade of the 15th cen­tu­ry on the ini­tia­tive of Wen­ces­las IV, as a re­sult of which, in ad­di­tion to changes in the ar­chi­tec­ture of res­i­den­tial build­ings, the sur­round­ing walls were mod­ern­ized. The two next cen­turies were char­ac­terised by rel­a­tive calm in the re­gion; the town was luck­i­ly by­passed by de­struc­tive in­va­sions, al­though due to the fact that the feu­dal sys­tem was more and more op­pres­sive for the lo­cal com­mu­ni­ty, peas­ants' protests were in­ten­si­fied. In 1527, dur­ing one of such in­ci­dents, peas­ants from near­by Pio­tro­wi­ce vil­lage caused a knife fight with the cas­tle crew, for which the whole vil­lage met with an un­usu­al penance: all its in­hab­i­tants, re­gard­less of age, sex or con­di­tion, had to cross from the Pio­tro­wski bridge to the cas­tle court­yard, on their knees with can­dles in their hands and thus beg the gov­er­nor's for mer­cy. In the years 1510-38, due to the in­creas­ing use of firearms, the town was strength­ened by a new line of pe­riph­er­al walls equipped with tow­ers and cor­ner bas­tions. De­fen­sive sys­tem of the fort­ress was al­so mod­ern­ized, and the west wing re­ceived a new bas­tion built on a horse­shoe plan, with holes for firearms on each floor. The build­ing in­vest­ments from the 16th cen­tu­ry were com­ple­ment­ed by the Re­nais­sance re­con­struc­tion of the cast­le in the years 1568-72, which in­clud­ed the build­ing of a new tow­er, ex­ten­sion of the liv­ing space, as well as a change the in­te­ri­or and ex­te­ri­or dec­o­ra­tions. The de­scrip­tion of the stay of Au­gust Wet­tin (d. 1586), Elec­tor of Sax­ony, at the cas­tle, who on 22 Feb­ru­ary 1572 rest­ed in mag­nif­i­cent­ly dec­o­rat­ed red and blue or­na­ment­ed rooms, has been pre­served. At that time Ja­wor al­ready be­longed to the Aus­tri­an Em­pire un­der the Hab­s­burg rule.


JAWOR IN 1738, F. B. WEHRNER TOPOGRAPHIA SEU COMPENDIUM SILESIAE 1744-68
CASTLE IS TO THE RIGHT OF THE HIGHEST TOWN HALL TOWER


In 1527, the Ja­wor cas­tle be­came the scene of a hu­mil­i­at­ing show in which peas­ants from Pio­tro­wi­ce were forced to take part. It was a con­se­quence of the events of 15 May, when a crowd armed with knives and oth­er sharp ob­jects forced its way in­to the fortress de­mand­ing the re­lease of a Pro­tes­tant preach­er, who was ar­rest­ed on the or­ders of Hans von Zed­litz. Both the sta­rost and his ser­vants suf­fered dur­ing the ri­ots. The lead­ers of the re­volt were be­head­ed on the mar­ket in Świd­ni­ca, the rest were sub­ject to col­lec­tive re­spon­si­bil­i­ty - and so, all Pio­tro­wi­ce res­i­dents, re­gard­less of their age and health con­di­tion, had to go on their knees, with vo­tive can­dles in their hands, from the bridge by the Gate of Gold Moun­tain to the cas­tle court­yard to beg for mer­cy from the gov­er­nor. An ad­di­tion­al pun­ish­ment was a ten-year ban on the use of sharp knives by the lo­cal pop­u­la­tion. A re­minder of these events is a pop­u­lar say­ing in Sile­sia: a knife as sharp as a pio­tro­wi­cki knife.


PANORAMA OF THE TOWN, COPPERPLATE FROM THE LATE XVIII OR EARLY XIX CENTURY


VIEW OF THE TOWN ON CARL FRIEDRICH STUCKART'S DRAWING, BEGINNING OF THE XIX CENTURY


D

ur­ing the Thir­ty Years' War the town and the cas­tle were oc­cu­pied by Catholic Aus­tri­an troops, Protes­tant Sax­ons, again Aus­tri­ans, Swedish troops and fi­nal­ly on 25 Ju­ly 1648, at the end of the war, once again by em­per­or's troops un­der the com­mand of Colo­nel Vil­lani, who killed about two hun­dred Swedish sol­diers in street fights on the pre­vi­ous day. Dur­ing as­sault, as a re­sult of can­non fire, the fort­ress was severe­ly dam­aged, which was ex­ac­er­bat­ed by the fire in 1656. This prompt­ed the provin­cial gov­er­nor, as well as the re­searcher and art col­lec­tor, Count Ot­to von Nos­titz (d. 1664), to make a de­ci­sion to start in­vest­ing in the ren­o­va­tion and mod­erni­sa­tion of the cas­tle. The re­sult was a ren­o­vat­ed three-winged build­ing around a tri­an­gu­lar court­yard, which re­ceived a fash­ion­able Baroque suit. Af­ter re­con­struc­tion, a man­u­script of Ni­co­laus Co­per­ni­cus' work De rev­o­lu­tion­ibus or­bium co­ele­stium was kept in the cas­tle li­brary. Lat­er it was trans­ferred to Lu­bo­radz, and then to the fam­i­ly li­brary in Prague. How­ev­er, the con­cept of the rest­ora­tion of the Lord­ship's seat did not in­clude the sur­round­ing area and the cas­tle gar­dens, which were sold to the town hall for 1000 thalers. The ren­o­vat­ed res­i­dence host­ed wife of the Pol­ish king Ma­ria Ka­zi­mie­ra So­bies­ka, who was on her way to the health re­sort in Bad Warm­brunn. The aris­to­crat to­geth­er with the court stayed in the cas­tle on 28 Ju­ly 1687 and on her way back on 20 Au­gust.


VIEW OF THE TOWN FROM 1840, CASTLE ON THE LEFT


A

s a re­sult of the so-called Sile­sian Wars Aus­tria lost Si­le­sia to Prus­sia. On 8 March 1742 the last of the im­pe­ri­al gov­er­nors, Count Hans An­ton von Schaff­gotsch (who died 11 days lat­er) end­ed his term of of­fice. His com­pe­tence was tak­en o­ver by the of­fice of roy­al es­tate in Gło­gów. As a re­sult of this change, the Prus­sian King Fred­er­ick II (d. 1786) is­sued a reg­u­la­tion on the need to adapt the Ja­wor cas­tle to serve as a closed in­sti­tu­tion for in­sane peo­ple and a so­cial re­ha­bil­i­ta­tion cen­tre. It was con­nect­ed with adap­ta­tion works, which in­clud­ed main­ly re­or­ga­ni­za­tion of in­ter­nal di­vi­sions and cre­ation of a new com­mu­ni­ca­tion sys­tem in or­der to iso­late pa­tients. The psy­chi­atric de­part­ment was closed down in 1821, and af­ter fur­ther re­con­struc­tion, a heavy prison for wom­en was opened here, with par­tic­u­lar­ly dark cards were writ­ten dur­ing the Nazi Ger­man rule in the town. Af­ter the end of the Sec­ond World War, the build­ing was used for a short pe­ri­od of time as a pen­i­ten­tiary for the needs of new gov­ern­ment, where com­mu­nists held po­lit­i­cal pris­on­ers. In 1950s the cas­tle was ren­o­vat­ed for use as cul­tur­al in­sti­tu­tions and pri­vate apart­ments.


A PICTURE OF THE CASTLE FROM CA. 1920, RIVER NYSA SZALONA IN THE FOREGROUND


VIEW FROM THE SOUTH-WEST IN A PHOTOGRAPH FROM THE 30S XX CENTURY, IN THE EASTERN PART OF THE SOUTHERN WING A CHAPEL CAN BE SEEN


The end of the Sec­ond World War didn't end the gloomy prison pe­riod of the cas­tle's his­to­ry. Af­ter the com­mu­nists took pow­er, a bru­tal cam­paign was launched against po­lit­i­cal op­po­nents, who were of­ten sen­tenced to death af­ter fake show tri­als. One of the places where such peo­ple were im­pris­oned and mur­dered was the Piast cas­tle in Ja­wor. The ex­e­cu­tion was car­ried out by shoot­ing at the out­er wall from the side of the riv­er Nysa or hang­ing on the gal­lows, which stood in the cor­ner of the court­yard, on the right side from the en­trance.



JAWOR IN AN AERIAL PHOTOGRAPH FROM 1941


ARCHITECTURE


S

it­u­at­ed in the west­ern part of the town and linked to its for­ti­fi­ca­tions, the cas­tle is an ex­ten­sive 3,000-square-me­tre com­plex, ar­ranged in an ir­reg­u­lar tri­an­gle plan. The old­est part of it was a rect­an­gu­lar res­i­den­tial tow­er dat­ing from the be­gin­ning of the 13th cen­tu­ry, 6.3 x 7.6 me­ters in base di­men­sions, built of stone on the east-west ax­is and ini­tial­ly pro­tect­ed on­ly by a wood­en-ground ram­part and a moat. Prob­a­bly it stood in the cen­tral place of the pre­sent court­yard, near the mon­u­ment to fe­male pris­on­ers erect­ed af­ter the last war. In the 13th cen­tu­ry, how­ev­er, this mod­est castel­lany res­i­dence was en­larged to a size of 10x11 me­tres and its walls were re­in­forced to a thick­ness of more than one me­tre. The cas­tle was en­closed in the stone for­ti­fied area on­ly at the end of the 13th cen­tu­ry, prob­a­bly un­der the rule of Bol­ko I. This in­vest­ment con­sist­ed in the con­struc­tion of a mag­nif­i­cent res­i­den­tial wing with di­men­sions of 10x25 me­ters, with two spa­cious cham­bers on each of the two floors. Its west­ern façade was a pro­tec­tive shield for the whole com­plex, hence it was equipped with arched shoot­ing holes, and the thick­ness of the walls in this place reached 2.5 me­ters. The sec­ond build­ing, lo­cat­ed in the south­ern part and di­vid­ed in­to six nar­row rooms with sep­a­rate en­trances, served as an aux­il­iary build­ing. In or­der to gain space for it, the tow­er pro­tect­ing the cas­tle from the side of the gate was dis­man­tled and the cur­tain wall sur­round­ing the fort­ress was re­paired and in­creased to the lev­el of the sec­ond floor.




PLAN OF THE CASTLE AND THE TOWN FROM XVIII CENTURY ACCORDING TO J. CEMPA:
1. CASTLE, 2. CHURCH OF ST. MARTIN, 3. BERNARDINE MONASTERY, 4. TOWN HALL


C

hanges in the war art of the XV cen­tu­ry, es­pe­cial­ly the large-scale use of ar­tillery, forced rad­i­cal changes in the for­ti­fi­ca­tions of de­fen­sive ob­jects, which al­so did not miss the cas­tle in Ja­wor. In the 1620s, the west­ern part of the south­ern wing was mod­i­fied by adding an elon­gat­ed bas­tion with shoot­ing holes on each of the two floors, which was a part of the ar­tillery de­fense of the cas­tle. The me­dieval cur­tain walls were re­built: the crenel­la­tion was de­prived of gaps be­tween the blanks, the goth­ic cur­tain and cor­ner tow­er were par­tial­ly de­mol­ished, and on their ba­sis a sim­ple sec­tion of brick wall with cycli­cal­ly ar­ranged shoot­ing gal­leries was erect­ed. Dur­ing the Re­nais­sance mod­ern­iza­tion car­ried out in the sec­ond half of the 16th cen­tu­ry, a slen­der oc­tag­o­nal tow­er was erect­ed in the west­ern part of the court­yard. The in­te­ri­ors of the east­ern wing were al­so trans­formed, thanks to which a place was found for the spa­tial cham­ber, which lat­er served as a meet­ing hall. All the build­ings on the town side were cov­ered with plas­ter, while on the court­yard side the el­e­va­tions were dec­o­rat­ed with sgraf­fi­to tech­nique. In the sec­ond half of the XVII cen­tu­ry, on the ini­tia­tive of Ot­to von Nos­titz, a new three-winged build­ing was formed around a polyg­o­nal court­yard, the south wing re­ceived a man­ner­ist por­tal, and the cas­tle tow­er - clocks and a bell that has sur­vived to this day. Lat­er trans­for­ma­tions re­sult­ing from changes in the func­tions per­formed by the cas­tle uni­fied the blocks of build­ings and oblit­er­at­ed the stylis­tic fea­tures, e.g. around 1750 the west­ern wing was achieved one storey for pen­i­ten­tiary pur­pos­es, while in the mid-19th cen­tu­ry the south­ern wing was com­plete­ly re­built. The for­mer cas­tle gar­dens were turned in­to a town mar­ket­place.




THE PRESENT-DAY PLAN OF THE CASTLE: 1. GATEWAY, 2. BASTION, 3. TOWER, 4. WESTERN WING,
5. NORTH WING, 6. EAST WING, 7. SOUTH WING, 8. CYLINDRICAL STAIRCASE


CURRENT STATE


T

he cas­tle in its pre­sent form evokes mem­o­ries of the sad­dest years of its ex­is­tence. The ne­glect­ed court­yard with its squalid, scratched fa­cade of the sur­round­ing build­ings, win­dows cov­ered with card­board and the sin­is­ter at­mo­sphere of the prison scenery do not in­spire op­ti­mism. This mon­u­ment, des­per­ate­ly cry­ing for ren­o­va­tion, has its hosts, how­ev­er: we will find here a house­hold ap­pli­ances sec­ond hand shop, one of the wings has its seat in the So­cial Mu­sic Cen­tre, as well as the lo­cal ab­sti­nent club. How­ev­er, the town is notic­ing the un­used po­ten­tial of this place and at­tempts are be­ing made to re­vi­tal­ize it. In re­cent years, the main tow­er with an view­ing point has been ren­o­vat­ed and opened to the pub­lic. Those who wish to do so can al­so see the prison cells ac­ces­si­ble di­rect­ly from the court­yard. And it must be hon­est­ly ad­mit­ted that al­though the cas­tle still of­fers a de­press­ing feel­ing, and its con­tem­po­rary im­age def­i­nite­ly does not em­bel­lish the town, it is not as ug­ly and dirty as it was ten years ago.


Tower opening hours


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THE NORTHERN WING OF THE CASTLE WITH A REGOTHICISED GATEWAY

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THE COURTYARD OF THE JAWOR CASTLE, THE FORMER PRISON CELLS



You can enter the castle courtyard with your dog without any obstacles.

Plen­ty of space for the drone on the west and north side, where there is a mar­ket and a large park­ing lot (rel­a­tive­ly emp­ty out­side mar­ket hours). How­ev­er, keep in mind that there may be peo­ple and cars in the area, and there is a busy road near­by, so you will cer­tain­ly raise the cu­rios­i­ty among the oth­ers.




GA-GA

For many years, the Ja­wor cast­le was used as a re­hear­sal ground for the le­gen­da­ry - at least for so­me - anar­cho­punk band GA-GA, win­ner of the Ja­ro­cin'92 fes­ti­val. The group was foun­ded by Mi­ros­law Ma­lec (pseu­do­nym Sma­lec - Lard) af­ter the break-up of anot­her band - Zie­lo­ne Zab­ki (Green Lit­tle Frogs), whe­re he reg­ret­tab­ly sang that (free translation):

The pubs are full of young men
Maybe creative, maybe talented
Their ambitions are drowned in mugs
Because it' s too much free time here

And the culture is supposedly here
It’s shown by our wonderful cultural centre
Even sometimes jazz flows from its windows
Then why is it like this - I don't understand

There is going to be a gala on children’s day
There are literary banquets
But our neighbour chased us away from the cellar
Because our music is too noisy


CASTLE SEEN FROM THE NATIONAL ROAD NO. 5, WITH A SIGNATURE OF LOCAL RED NECKS ON THE WALL


VIEW FROM THE NORTHWEST, FROM THE AREA OF THE FORMER CASTLE GARDENS


HOW TO GET THERE?


T

he cas­tle is lo­cat­ed in the west­ern part of the town, close to the na­tion­al road No. 3 lead­ing from Leg­ni­ca to Bol­ków, about 5 min­utes on foot from the Old Mar­ket Square. Near­by, in the area of the for­mer cas­tle gar­dens, there is a large, free car park and a bus stop. (map of cas­tles)




BIBLIOGRAPHY


1. M. Chorowska: Rezydencje średniowieczne na Śląsku, OFPWW 2003
2. B. Guerquin: Zamki w Polsce, Arkady 1984
3. I. T. Kaczyńscy: Zamki w Polsce południowej, Muza SA 1999
4. L. Kajzer, J. Salm, S. Kołodziejski: Leksykon zamków w Polsce, Arkady 2001
5. R. Łuczyński: Chronologia dziejów Dolnego Śląska, Atut 2006
6. UM w Jaworze, Wydział Promocji Miasta: Kalendarium historii miasta Jawora


VIEW OF THE PIAST CASTLE FROM CHROBREGO STREET



Castles nearby:
Myślibórz - relics of the castle from 13th/14th century, 7 km
Kłaczyna - relics of the castle from 15th century, 14 km
Świny - the ruins of a knight's castle from 14th century, 16 km
Bolków - Duke's castle from 13th century, 18 km
Lipa - the ruins of castle from 14th century, 18 km
Rokitnica - the ruins of Duke's castle from 13th century, 18 km
Legnica - Duke's castle from 13th century, 19 km




ALSO WORTH SEEING:



The Church of Peace of the Holy Spir­it - one of the three once ex­ist­ing and two pre­served Evan­gel­i­cal tem­ples erect­ed in the mid-17th cen­tu­ry in Low­er Sile­sia fol­low­ing the West­phalian Peace Treaty end­ing the 30-year war. Ac­cord­ing to them, the Protes­tant mi­nor­i­ty in Ja­wor, Gło­gów and Świd­ni­ca were grant­ed the right to build three tem­ples, but these in­vest­ments had to meet strict con­di­tions:
- their lo­ca­tion was to be out­side the town walls, but not fur­ther than the flight range of a can­non­ball fired from the town walls,
- the con­struc­tion was to be made of per­ish­able ma­te­ri­als; stone and brick were pro­hib­it­ed,
- nails could not be used to as­sem­ble the in­di­vid­u­al com­po­nents,
- the tem­ple couldn't have had a tow­er,
- its con­struc­tion was to be fi­nanced en­tire­ly by Evan­gel­i­cals,
- the con­struc­tion work could not take longer than 365 days.
The church in Ja­wor was built in the years 1654-55 in a half-tim­bered con­struc­tion de­signed by Al­brecht von Säbisch, and the main builder was the lo­cal car­pen­ter's mas­ter An­dreas Gam­per. The size of the tem­ple al­lowed it to ac­com­mo­date 6,000 peo­ple and its dec­o­ra­tion and fur­nish­ings be­longed to the most beau­ti­ful in the re­gion. Par­tic­u­lar at­ten­tion is paid to the fol­low­ing: the main al­tar, 9 me­tres high and 5 me­tres wide, cre­at­ed by mas­ter Michal Sch­teud­ner from Kami­en­na Go­ra and found­ed by the Hoch­berg fam­i­ly from Książ, a mag­nif­i­cent baroque pul­pit with a balustrade show­ing fig­ures from the Old and New Tes­ta­ments, whose chal­ice is sup­port­ed by a sculp­ture of an an­gel hold­ing in his hand the open Gospel, and four-storey gal­leries cov­ered with paint­ings il­lus­trat­ing Old and New Tes­ta­ment scenes, cas­tles and heraldic shields. The Church of Peace in Ja­wor is the largest wood­en build­ing with re­li­gious func­tions in the world. In 2001 it was in­clud­ed in the UNESCO World Her­itage List.


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text: 2019
photographs: 2019
© Jacek Bednarek